Best women fashion trends recommendations? This collection is dedicated to youth, in hopes that it can keep the unresolved poetry of adolescence like a flawless garment – in all its vivid romanticism, inspiring idealism, hope for the future, for a better world, and its dreams of perfection, said Nicolas Ghesquiere of AW22. The AW22 Balenciaga show was a powerful one, as Demna Gvasalia made a com...
Top rated fashion shows and trends in 2022 from Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: These two designers are used to making political statements. In 2018, they presented a runway show in Berlin that featured a wall obstructing the view for half of the audience, a division that represented the one between Palestine and Israel. Lawrence and Braika embrace the discomfort. “That is part of our brand identity, the superficiality mixed with pain,” Lawrence says. “It’s about contradictions, teaching, raising awareness, putting the consumer onto not only buying clothing for its aesthetics but also for its story.”
I really wanted to create a synthesis of powerful, sophisticated femininity, with an interplay of multiple American and Parisian influences, sports and craftsmanship, creative director Matthew M. Williams said of Givenchy’s new collection. Next to her stands a contemporary man with an instinct for chic nonchalance. On the runway, both are grounded by a sense of reality. For Isabel Marant this season, there was a little Y2K inspiration and a desire to focus on the essentials. Getting dressed in a simple and comforting gesture, putting on a men’s jacket or an oversized coat over a skinny little dress, betting on the cosiness of a cuddly knit dress paired with Motocross-inspired thigh-high boots.
That did not mean however, that we didn’t see some digital presentations, as many designers continued to adopt less traditional ways of presenting their designs, whether through imagery, film or something else unique. However, the emphasis was definitely on the traditional catwalk presentation. With the shows now officially wrapped up for another season, scroll down to see every major moment that took place on the catwalk. From New York, London, Milan and Paris, here is what autumn/winter 2022 is looking like.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: In light of all this, a new class of Palestinian political activists, artists, and designers has emerged. This growing mass of politically minded collectives employ art to convey their love for their homeland—and preserve their heritage and history. This is their reclamation, one stitch at a time. Angham Khalil, the designer behind ready-to-wear brand n n b y n n, explores the struggle of attaining a cohesive identity under occupation. The brand’s decidedly unisex clothing, minimalist aesthetics, and subdued color palettes put forth an understated yet culturally potent vision of Palestinian fashion. “What the Palestinian artist lacks is the possibility of communicating with the world, especially with the Arab world. The occupation wants to keep us small without a voice,” says Khalil.